It's the use of language.
November 16, Previous versions: Walpole's novel was imitated in the eighteenth century, but enjoyed widespread influence in the nineteenth century in part because of that era's indulgence in dark-romantic themes. Today, the Gothic continues to influence the novel, the short story, and poetry, and provides a major source of themes and elements in film making.
In fact, Gothic elements have been used so often in film that some have become predictable cliches. When people enter an abandoned room in a supposedly abandoned house, the door often closes and locks behind them. Gothic elements include the following: Setting in a castle or old mansion.
Jun 11, · Gothic literature is one of, if not my favorite, genre. Your point about Gothic literature being a blend of the real and imaginary is a good one and I always saw this the most in Wuthering Heights. The love in the novel is so grupobittia.coms: Gothic Literature Ann Radcliffe Name: Arunima Sircar Grade: 9 IGCSE A English Project- 1 Gothic Literature Gothic literature of gothic fiction is a genre of writing that merges elements of horror as well as romance. It has been believed to be first introduced by the famous English author, Horace Walpole. Gothic literature is closely related with Victorian Gothic, or Gothic Revival architectural movement of the same era. The ruined buildings during the medieval times were a strong source of inspiration for writers with even the castles being named with a reference to the architectural style.
Sometimes the edifice is seemingly abandoned, sometimes occupied, and sometimes it's not clear whether the buildidng has occupants human or otherwise. The castle often contains secret passages, trap doors, secret rooms, trick panels with hidden levers, dark or hidden staircases, and possibly ruined sections.
The castle may be near or connected to caves, which lend their own haunting flavor with their darkness, uneven floors, branchings, claustrophobia, echoes of unusual sounds, and mystery. And in horror-Gothic, caves are often seem home to terrifying creatures such as monsters, or deviant forms of humans: Translated into the modern novel or filmmaking, the setting is usually an old house or mansion--or even a new house--where unusual camera angles, sustained close ups during movement, and darkness or shadows create the same sense of claustrophobia and entrapment.
The house might be already dark, perhaps because it was abandoned, or it might at first seem light and airy, but either night comes and people turn off the lights to go to bed, or at some dramatic point the lights will fail often because of a raging storm.
And, as movie goers know well, while the scenes and dialog form the rational or irrational movement in the film, the music controls the emotional response to what is seen and spoken. The goal of the dark and mysterious setting is to create a sense of unease and foreboding, contributing toward the atmospheric element of fear and dread.
Darkness also allows those sudden and frightening appearances of people, animals, ghosts, apparent ghosts, or monsters. An atmosphere of mystery and suspense.
The work is pervaded by a threatening feeling, a fear enhanced by the unknown. This atmosphere is sometimes advanced when characters see only a glimpse of something--was that a person rushing out the window or only the wind blowing a curtain?
Is that creaking sound coming from someone's step on the squeaky floor, or only the normal sounds of the night? Often the plot itself is built around a mystery, such as unknown parentage, a disappearance, or some other inexplicable event. People disappear or show up dead inexplicably. Elements 3, 4, and 5 below contribute to this atmosphere.
In modern novels and filmmaking, the inexplicable events are often murders. The bodies are sometimes mutilated in ways that defy explanation--"What kind of monster could do this?
Another modern setting that lends itself well to the sense of suspense and even entrapment is a supposedly deserted island, where the characters have arrived by shipwreck or mysterious invitation.
Their way back to civilization has been cut off the airplane ran out of fuel or crash landed, the boat sank, etc.
They might even run into living dinosaurs.Gothic. Architectural style, Gothic language, dead language belonging to the now extinct East Germanic group of the Germanic subfamily of the Indo-European family of languages Thence it is applied to literature and religion to denote the opaquely mysterious—to some, grotesque.
Professor John Mullan examines the origins of the Gothic, explaining how the genre became one of the most popular of the late 18th and early 19th centuries, and the subsequent integration of Gothic elements into mainstream Victorian fiction. From these, the gothic genre per se gave way to modern horror fiction, although many literary critics use the term to cover the entire genre, and many modern writers of horror (or indeed other types of fiction) exhibit considerable gothic sensibilities—examples include the works of Anne Rice, as well as some of the less sensationalist works of Stephen King.
In the most general terms, Gothic literature can be defined as writing that employs dark and picturesque scenery, startling and melodramatic narrative devices, and an overall atmosphere of exoticism, mystery, and dread.
Often, a Gothic novel or story will revolve around a large, ancient house that conceals a terrible secret or that serves as the refuge of an, especially frightening and threatening character.
7 An organization actively devoted to the study of Gothic culture, including Gothic literature, is The International Gothic Association. 8 Like so many literary offerings, the stories, heroes, villains, monsters and maidens of many Gothic novels have made their way to the big screen. The term Gothic fiction refers to a style of writing that is characterized by elements of fear, horror, death, and gloom, as well as romantic elements, such as nature, individuality, and very high.